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ⓘ Conceptual necessity is a property of the certainty with which a state of affairs, as presented by a certain description, occurs: it occurs by conceptual necess ..




                                     

ⓘ Conceptual necessity

Conceptual necessity is a property of the certainty with which a state of affairs, as presented by a certain description, occurs: it occurs by conceptual necessity if and only if it occurs just by virtue of the meaning of the description. If someone is a bachelor, for instance, then he is bound to be unmarried by conceptual necessity, because the meaning of the word "bachelor" determines that he is.

Alternatively, there is metaphysical necessity, which is a certainty determined, not by the meaning of a description, but instead by facts in the world described.

Historically, Baruch Spinoza was a subscriber to this belief.

                                     
  • properties emerge as novel properties of complex material systems. These are conceptually irreducible as physical properties of the complexes that have them. The
  • unconscious mind that we call our higher self. Her seated position, when conceptually paired with the balanced swords and the blindfold, may also recall the
  • theory as well as classifications e.g. in biological taxonomy are also conceptual entities considered to be constructs. Simple examples of real objects
  • algorithm or plane sweep algorithm is an algorithmic paradigm that uses a conceptual sweep line or sweep surface to solve various problems in Euclidean space
  • Humanism, developed by Richard Dawkins and Stephen Jay Gould looks at the necessity for Man of a permanent adaptation of both his organism and his thoughts
  • The model according to Ted Williams 2000 is multi - level, spanning conceptual generic and applications layers. The generic and applications layers
  • Kant. While Kant s original distinction was primarily drawn in terms of conceptual containment, the contemporary version of the distinction primarily involves
  • llama is a squirrel A real distinction is thus different than a merely conceptual one, in that in a real distinction, one of the terms can be realized in
  • independently of our conceptual scheme. In philosophical terms, these objects are ontologically independent of someone s conceptual scheme, perceptions
  • semantics. Another of his most important contributions is his argument that necessity is a metaphysical notion that should be separated from the epistemic
  • logic, the logical hexagon also called the hexagon of opposition is a conceptual model of the relationships between the truth values of six statements
  • the film medium. Such works began to appear in the 1960s in the wake of Conceptual art s rejection of standard artistic media like painting and embrace of

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